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Both tracks put out to date by the group Ashnymph resist simple labeling: the band's own tag of their work as “subconscioussion” leaves listeners guessing. Debut Saltspreader married a heavy mechanical drumming – guitarist Will Wiffen has sometimes been seen on stage sporting a shirt that bears the logo of industrial metal pioneers Godflesh – with old-school electronic keys and a guitar line that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. The planned result, the band has indicated, was to suggest road trips, “the grinding circulation of vehicles all day long over great lengths … amber lights after dark”.

The next release, Mr Invisible, sits somewhere between club music and left-field alt-rock. For one thing, the song's beat, layers of hypnotic electronics, and lyrics that appear either trippily blurred or spellbindingly cyclical in a way that recalls the classic Underworld album era all indicate the dance space. Conversely, its forceful live-sounding dynamics, near-anarchic character and fuzz – “making everything sound crunchy is a personal mission,” Wiffen noted – set it apart as very much the work of a band rather than a lone electronic artist. They've performed around the self-made music community of south London for under a year, “any venue that cranks the volume”.

But both are exciting and different enough – from one another and other current music – to make you wonder about the band's future direction. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s probably not dull.

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